In Dublin Fair City

Here we are in Ireland on the first day of the 2011 WOOL-TYME Kingston Irish Knitting Tour.  32 of us from Montreal to Hamilton are on the tour, with Gerry, our guide and John, our bus driver.

A lovely flight and a busy first day, especially considering that most of us got minimal sleep time on the overnight flight, but we had a great time today anyway.
 First of all, let me tell you about the serendipitous situation that happened with Lisa, from This Is Knit, the only and loveliest yarn store in central Dublin. I had made arrangements several weeks ago for us to see Lisa and her staff in her shop then on Saturday, she emailed me to say that due to some odd circumstances they would be moving their store on the very day we would be arriving, but that we would still be welcomed and she would keep the traditional Irish section of her "old" store intact for us to visit, which we did. We also got to stick our head into the new digs which opened at noon today. It's absolutely wonderful and happens to be next to a fabulous tea room which we also visited. What a feat to have accomplished their move all in just a few hours. Link here to their blog to see more pictures and read about it. 

Here are a few other things that we discovered about Dublin on this first day:
They LOVE beer, which is synonymous with Guinness here.



They are a bilingual country, with the Irish Gaelic appearing everywhere above the English on their signs.



They love their stories and folklore here, as seen in the statue of Molly Malone, of song fame, and the street musician sitting at her feet, and in this other beautiful sculpture at the Garden of Remembrance where the Queen, during her historic visit to Ireland earlier this summer, laid a wreath to remember all those who died in the conflicts with Britain in the past.

On to Waterford.

MAGGIE JACKSON is coming soon to ONTARIO

For those of you who aren't able to join us this year on the 2011 Irish Knitting Tour, here's a great way to console/treat yourselves and get a bit of a taste of what the new Irish Knitting is all about.
Linda from Rose Haven Farm has arranged for a whole weekend of activities and workshops with Ireland's knitting queen,  Maggie JacksonThree days of immersion into Maggie's world is a very special treat.

The following is the full scoop and registration form. Don't miss out.



...Big news for knitters and fibre artists.  We have Irish knitting diva, Maggie Jackson of Maggiknits, here for a Fashion Show and 2 days of workshops in October from October 7 - 9.  Mark these dates if you wish to have a fun knitting experience.  This is her first time in Eastern Canada.   See www.maggiknits.com.
Maggie will be coming to our shop in Picton for 3 events.  You can come for any or all them.  All will be held in our shop.  For those who wish to stay over night we can offer accommodation ideas, although we have tried to schedule the events so you have options.
Maggiknits Fashion Show & Wine & Cheese ~ Maggie Jackson, October 7
Fashion Show with Wine & Cheese: Friday, October 7, 4:00 – 8:00 p.m.; Fashion Show at 5:30 sharp.   Wonderful opportunity to see and try on many kinds of Maggiknits garments and to share time with Maggie herself.   Check out the books, materials, kit options and which work for you!
Cost: $20.00 including wine & cheese.  Max. 50.

See over for the 2 days of workshops.

Registration Form (pre-registration by phone, email or email is required)

Name:  ________________________________________________________

Address: _______________________________________________________

Phone #: _______________________________________________________

Email: _________________________________________________________

Please indicate which event you wish to attend.  Payment can be by VISA/MC, cheque, or if in the shop, debit or cash.  The 2 workshops will have a $30 deposit on each required to insure attendance.  Should you wish to attend all 3 events there is a savings, as the package fee will be $200.00.

Fashion Show with Wine & Cheese  $20.00                                  ____________

Workshop 1 Oh No Not another Scarf with materials  $100.00  ____________

Workshop 2 Wearable Art with materials $100.00                                ____________

Package – all 3 events $200.00                                                                     ____________

Please make cheques out to: Rose Haven Farm and mail to Rose Haven Farm Store, 187 Main Street, Picton, ON K0K 2T0.  Call for VISA / MC 613-476-9092.

Workshop 1 ~ Saturday, October 8   Oh No Not another Scarf

Garments will be available during the day.  

10:30 - 4:30, ½ hour lunch break

Cost: $100 includes class materials.  Max 20

By the end of this class Maggie hopes the piece you will make will NOT go towards a scarf but one of the other design options she shows in a table runner, a pillow, a purse, a shawl, a wall hanging, etc.  Maggie will have you thinking "outside the box" by making holes in your work, joining her renown tubes and working a Ladder stitch.  She will show some finishing techniques for the project and give advice on what she learned from being a Fashion Designer doing Ready to Wear for 25 years selling to emporiums such as Neiman Marcus and Nordstrom and having 45 knitters.   Samples of these stitches will be shown on garments to stretch your creative thinking.

Needles 4.5 - 5 mm, preferably wooden, bamboo or plastic to work with the linen and others (as metal needles are slippery). Scissors, darning needle.

Workshop 2 ~ Sunday, October 9     Wearable Art

Garments will be available for viewing during day.

10:30 - 4.30, ½ hour lunch break

Cost: $100 includes class materials.  Max 20

This class is a combination of various small squares which can be put together after class to make a scarf or towards a larger project.  We will make knitted and fabric bows on a square, a ruffle stitch with a tube and 2 coloured picot tube, knotting yarns to make a loopy stitch, to name a few.  Samples of these stitches will be shown on the garments to stretch your creativity.

Needles 4.5 - 5 mm, preferably wooden, bamboo or plastic to work with the linen and others (as metal needles are slippery). Scissors, darning needle.

Please note that refreshments will be provided but lunch will be at the cafe of your choice in Picton. We will provide a list of nearby places.  Food may be brought back to the shop.  All events will be held at the shop.

EXTRA EXTRA, Read all about it.

Who says that summer is a slow time for knitting? We've been busy all summer with new customers discovering us, tourists and cottagers making their annual pilgrimage to see us, stocking up on some of their favourite yarns.

The press also seem to have caught on to the impact of knitting. Or could it be that it has just been a slow news summer? Of course not, it's because the most important thing happening in the world during the week before Sunday, Aug. 7th was the 2011 Sock Summit in Portland Oregon, which found its way to the front page of the Toronto Star on that day.

Quoting people like Stephanie Pearl-McPhee and Anna Zilboorg, reporter Kenneth Kidd proclaims that sock knitting is dorky, absurd and silly, but 6000 knitters still showed up at the convention to share their love of sock knitting with others. Designer, Cat Bordhi had a cute way of expressing it. She sees sock making as the sports car driving of knitting: "A sock is like a curvy mountain road. You can't see around the corners."

Then we have the rather odd situation of the duel going on between Margaret Atwood and Mayor Rob Ford about the relative importance of libraries to Canadians. At one point the author suggested that she would knit a likeness of the mayor as a form of protest, I believe.

I wasn't quite sure what the meaning of knitting a person's likeness was, but it did seem significant in the way that she phrased it. That being said, you can link here to the interview she gave to Canadian Living some time back where she speaks a bit about her knitting.

A bit later in the summer, we had a chance to take some holidays out west and upon arriving in Victoria, my brother gave me a copy of the Monday Magazine that he had just picked up, which featured a cover story about the coolness of knitting.

The pair in the photo are Ryan Davis who I met on my trip out west last year, and Stephanie Papik, co-owners of my favourite knitting shop in Victoria: Knotty by Nature. (Don't you just love that name?)

The article included something that I've never seen in print before...a list of tips for those who are hoping to continue being on the receiving end of a knitter's gift. Here they are:
-Treat the gift with the utmost respect- Don't lose a mitten or get a hole in the sock. (I would add, being the fallible sort myself, that you should act at least as horrified as possible if you do misplace or overuse said gift.)

-Thank the knitter profusely for their time and effort. I asolutely agree that only people who appreciate the real time cost should receive such gifts.

-Don't look at knitters in public like they're lost and can't find their way back to the nursing home.

Now, here I take exception. The author of this statement, a cute little 20 something who is pictured knitting in a local cafe, goes on to say: "I think the biggest misconception is that knitters are all 50-year-old women. There's this stigma attached to it. It's really fun and it's modern and vintage at the same time."

WELL! I can only hope that there was a typ0, and that she was not suggesting that 50-year-olds aren't cool and belong in the nursing home. I knit in cafes, I can be cute, if I try. These young'uns...

I must leave you know, my walker needs oiling and my dentures need a bit of polish too.

Fit to Flatter - Amy Herzog

Everyone, I'd like to introduce you to Amy Herzog, my very own Oracle at Delphi when it comes to choosing styles that look good on a given body. Doesn't she look marvelous in this lovely blue deep V-neck sweater with the elbow length sleeves and the subtle horizontal striation in the colouring. There's a reason why Amy looks great in a garment incorporating these design elements, and you too can discover these secrets and make them work for you.

So, before I end up sounding too much like a late night info-mercial, let me explain that I was introduced to Amy's on-line tutorial, Fit To Flatter, through the latest edition of Knitscene Magazines. I was hoping to, once and for all, eliminate some of the styles that I shouldn't even look at when clothes shopping. What I found was the true motherlode of fashion sense, and 123 pages of how to feel good about and work with your body, whatever its shape and/or size.

In Amy's words, these tutorials cover basic principles of knitting to flatter your figure:

•Determine your body’s inherent shape
•Discover how the visual elements of clothing alter that shape’s appearance

•Choosing patterns and making modifications to those patterns that will change the appearance of your shape in the ways you desire

•Achieving a custom fit.

This is a comparison picture of Amy wearing her good sweater and a bad sweater, which looks a lot like one of my choices over my knitting career. Read on:

Having developed my own "fashion sense" based on my adolescent shape, which was more like a bottle of Perrier than a bottle of Coke, (look them up, you'll see what I mean) I resolved that my image would be best served by covering everything up with an army jacket, a poncho or very loose fitting tops, which - I kid you not - sometimes had fellow passengers on the subway looking at me sympathetically, and asking when the "little one" was due. At 23, I lost 40 lbs but never did develop the bust or the curves that most people consider desirable when choosing their fashionable wardrobe.

At 12 when I knit my first sweater for myself, I was probably not as big as I felt that I was, but the concept of fashion was way down on my list of goals for this project. Completion, cost and coziness were prime. Every Saturday I would take the bus to Freeman's on Rideau St in Ottawa and purchase another skein of bulky royal blue pure wool to complete the next segment of my sweater. I can't remember how much wool went into that sweater all together, but it did take up most of my babysitting money for several months. The result was that I achieved all 3 of my goals, but it was obvious that fit had not made it onto that list. I would guess that the finished chest was close to 55" and my brother and I could easily have fit in it if we were standing back to back. But that was of no consequence...I wove a long red shoelace through the cast on edge to give it some sturcture, and proudly wore my sweater whenever I was cold in the house. (I think that I realized that it was not a design worthy of sharing with the public, no matter how proud I was of its completion).

This experience taught me 2 very important lessons that I've used both in life and in knitting over these past 35 years: Go head first with what motivates you. And don't ever be disappointed - there is always a way to fix results, or at least perceive them, even if it isn't in the manner that you expected.

Well, that led to a life of knitting for other people: family, friends, and eventually for the store. As recently as last night at knitting class, I justified this situation by affirming that I prefer to knit for others because I get to see the finished project more than I would if I was wearing it. I believe that is probably a cover up for the fact that in the venn diagram of my knitting life, what I like to knit and what I like to wear have very little overlap.

I can justify the time that I'm spending learning these fashion precepts by calling  it professional development. At the store, we are often asked for opinions as customers choose patterns that may be gorgeous on the model, but it would be nice to have some sense of confidence in discerning whether it will suit the intended recipient.

 But truly I just want to feel a bit more confident in my own choices. I don't have time to be knitting sweaters that I don't want to wear once they're finished.

A word of warning...You will notice that I mentioned that the full tutorial runs 123 pages. I have been studying each of the first 30 of those pages that I've printed off to carry with me to review and ponder as I stop for a coffee, or go through the car wash for a couple of weeks already.
In other words, this is not the on-line version of a little magazine article. There is information there that I'm sure is spread out over semesters of design study at any good college. But for me, and I'm sure for many others who would like to take the time, it's time and $10US very well spent.

Don't have time for the full "kit and kaboodle"? If studying 123 pages of excellent but intense concepts is a bit overwhelming, come and join Deb White's class, KNITS THAT FIT YOU! at WOOL-TYME Kingston on Wed. Sept. 28th, from 6:30-8:30pm.  Deb will be teaching how to make the knitting pattern that you choose work for you with particular attention to "tweaking" the original to make it fit the way that you want it to.
Call the store at 613-384-3951 to register.

The Creative Process

THE CREATIVE PROCESS
at Blueroof Farm

Showing works of the past 50 years by Kim Ondaatje

Until Oct. 31st, by appointment: 613 374 2147

My blog and what I write is not just about knitting. It's about what I find interesting in the world around me, and what motivates me to keep searching for the best possible way to enjoy my life. This task obviously includes running my knitting store with the most fun, enthusiasm and creativity that I can muster.

I don't know about you, but every now and then I look at my life and have a sense that everything that I've lived has led me to this particular situation. All my experiences (well, those that I can remember anyway, being in my 50's) are feeding how I see the world, how I respond to it, and what I bring to it creatively.

This is exactly the point of Kim Ondaatje's exhibition at her magnificent Blueroof Farm, near Verona.

Kim is one of our faithful customers, and she is the first to tell you that her patronage has nothing to do with her skill or love of knitting; we, at WOOL-TYME Kingston just happen to be the logical source for her most recent medium of choice...yarn to knit afghan blankets based on the colours of the four seasons, the collection of which is on display during the show.

This is how Kim describes the presentation now on at the farm until Oct. 31st:

The Creative Process

Certain experiences - even moments - in our lives cling to us like burrs. They drop into memory, a storehouse for our imagination and inspiration. If we are creative, they find their way out into our music, writing, performing or visual work. We are often unaware of this process.

Years may pass before we realize where the inspiration and feeling in a particular work originated. As an octogenarian, I realize that the longer we live, the more we understand what we did and why...

In the 2009 Kim was honoured with the Governor General's Award. In the awards catalogue, then Governor General Michaëlle Jean states, ”It is that collection of signs left by artists and artisans, both tangible and intangible that constitute the timeless heritage of humanity”.

Now if that wasn't reason enough reason to head out up Hwy 38 to Bellrock Rd to immerse yourself in the beauty of all that you too can be, once you get there you are surrounded by the magnificence of Kim's greatest work of art: BLUEROOF FARM.

Acres of beautifully landscaped terrain, with the greatest respect of an artist working with nature. Any of you who are willing to own up to a creative bone in your body, owe it to yourselves to make the short trek. Link here for details of a VisionTV feature episode of Recreating Eden, featuring BLUEROOF FARM.

When Kim first told me about the show she said: " Don't come alone. Find an artistic friend with whom to share the experience. But do come." What a great idea. Furthermore, as Kim notes, she is of a certain fine "vintage", and recognizes that she isn't likely to be on the farm for many more years. This is an opportunity of great value that we have been offered. I can't wait to get out there in the next couple of weeks.

Only in Anchorage, Alaska you say?...Pity.

"Three-year-old Stevie Primera hangs onto a sheep during the Mutton Busting event at the 2011 GMC Truck Rodeo Roundup presented by Rodeo Alaska at the William Clark Chamberlin Equestrian Center in Anchorage, Alaska." photo by Bill Roth/Anchorage Daily News/AP

This is an example of why I now love the Globe and Mail newspaper.

A couple of years ago we received a call from the subscription office at the Globe and Mail in Toronto, extending an offer that we couldn't refuse. They were reaching out to small businesses as a way to increase their distribution numbers and looking for a wider readership per newspaper delivered. Since then, we've been getting the paper at the store every weekday morning. By the time I get in to work, bring the paper home and get to read it the following morning, most of what's on the front page is old news but there's still lots to read that is current.

One of my favourite features is a daily photo pick (backed up by on-line notes of why the photo editors picked that particular picture). Mutton chops, pictured here, was Wednesday's feature that I had to share with you. Don't you love the kids face? Can't you just picture Sarah P. off to the side?

Here's another picture that I have spoken of previously in this blog but until recently Icouldn't find. Well here it is - a picture from October of 2000. That's me with my "little" brother and my Mom. I'm wearing a Kaffe Fassett inspired sweater that I made during the 1994 Winter Olympics. (It just goes to prove that knitting Olympics was around long before the Yarn Harlot so cleverly turned the idea into an international avalanche of mutual supporters) I remember one of the actual events as my 3 1/2 year old commented while she watched Tonya Harding performing one of her figure skating routines, that she didn't like her, as she pointed to the television. "She looks mean." From the mouths of babes... You will remember Tonya resorted to some pretty nasty tactics to lessen the competition from her team mate Nancy Kerrigan.

Needless to say that Tonya and Nancy's spat has little to do with my sweater, or does it? It is a rather strident looking garment, don't you think?

In my defense, I remember that we didn't have a real yarn store in Cornwall, where we were living at the time and I had to resort to cobbling together yarns and colours that were available to me in a chunky weight. I also remember that winter I was feeling a need for BRIGHT colours as the winter dragged on. In hind sight, I believe that one of the reasons that I wore the sweater sparingly over the years was that I had to feel in a very out-going mood to sport it as it was the kind of garment that had people looking at you.

You will notice that my mild case of ADD is apparent in that I seldom knit the sleeves to match the body of a sweater in those days. My point being that I was usually bored with the body pattern and wanted something easier and/or more interesting for the next part.

As for fit, well, we did like our clothes baggy in those days, but that one was a bit excessive. I loved the coziness of it, but I do believe that it measured out at 62" chest. (I filled out about 40" of it.)

As for what I've been doing lately in knitting, I'm having a great time assembling first the actual afghan for our upcoming BLOCK AFGHAN PROJECT, which is going to be a sort of on-going Knit Along, featuring a series of knitted squares of different stitch patterns. The squares were knit by a couple of my faithful knitters, then I got to put it all together...all 25 squares. I love it.

The kit will be available (for delivery beginning Sept 1st) in 3 sizes from shawl/baby blanket dimensions to a full 25 square double bed size. It can also be done in CASCADE 220- pure wool, in Cascade's brand new PACIFIC 40-60 wool/acrylic blend (which they say absolutely cannot pill), or in Patons DECOR.

It's a big project - even now that the assembly is complete I'm working at putting the pattern booklets together and organizing the promotion for it, but this is all part of what I really enjoy of having the yarn store (and a good example of what I'm doing when you don't see me in the store.)

A little support?

You know that the really nice summer weather is here when the halter tops come out.

I found this one on a walk through downtown Kingston the other day, near Skeleton park.

And while we're on the subject of support garments, although they may be the same colour, these socks below are definitely not your granny's support hose. They are featured in the latest edition of Vogue Knitting Magazine.


Designed by Alexandra Richards, these toe-up knee socks with brioche stitch designs are absolutely exquisite but I would definitely need some support if I ever decided to take on such a project - the kind of support that we get from friends and family when accepting the challenge of running a marathon for instance.


By the way, this edition of VKMag has been designated "early fall". I sure hope that they mean that they are offering suggestions for knitting projects appropriate for the early fall, because after the month of May that most of us in North America have just lived through, I for one am prepared to protest forcefully if we are suddenly jettisoned into early fall before we get our due summer.


And as we await Game 4 of the Stanley Cup finals, how can we possibly talk about support without mentioning Tonya Raworth's Ultimate Canucks Fan Scarf, available on Ravelry. To be fair, I tried to find an equally committed project in support of the Boston Bruins, but alas, Ravelry didn't have anything. I did however find a vintage Bobby Orr pom pom toque on Amazon for $27 but it seemed like a poor subsitute for the real thing from the fan's hands.

By the way, we often have customers coming in to the store looking for a scarf pattern that shows off team names. I love how Tonya has done this one, using garter stitch for most of the scarf then graphing the letters to be knit sideways. She uses stocking stitch to work the graphed stitches, but I'm sure that the garter stitch could be used for most of it, employing the few purl stitches necessary to hide colour changes yet keeping the scarf from curling at all. Way to go Tonya!
By the way... Go Canucks!